Form Follows Function: Fourth Cyrus Jhabvala Memorial Lecture

KAVITA NAYAR: An Artist of Personal Communiqué and Musings

The Adventures of Comrade Sergei in the Land of the Capitalists

artamour: Celebrating a Century of Posts

Visual Language: Can An Artist Create Their Own Language?

Art of Response: Performance, in the Public, on the Street

Art of Response: On Canvas, Paper, Screen

Artist’s Persona: Real v. Virtual

Raza: Not just the second-most expensive Indian painter

देश के दूसरे सबसे महंगे चित्रकार रज़ा थे

Amrita Sher-Gil and VS Gaitonde take India art auction prices over $5 million

Rethinking Art Education

Society and the Visual Arts

JM Subramani (1949-2021): Resonance of Rustic Origins

Art and the Pandemic: Some Reflections

Art and Life: Creative Interventions

Krishen Khanna's London show blocked by Covid so he's painting in a video

Future Journeys of Art: And Imaginary Journeys

Kissing a History of Death and Devastation

The “Art World” is an Exclusive Club and It Needs to be Disrupted

Mise en scene: Beyond meaning and mechanics, a metaphysical expression

Indian artists focus on the drama of the Last Supper

THE CASE OF NFT and what it means for the art community

Isabelle Huppert – Exploring the Darker Side

The Dotted World of the Bhils

Beautification and Mural Making are Two Different Things: Trespassers and Their Public Art

Part Two: Common Ground – The Art of Antony Gormley

Part One: Common Ground – The Art of Antony Gormley

On the Art of Reception

Warli and Saura: Distant cousins who perhaps never met

The Broken Person Paradigm

Musings on the Online Art Space

Recognizing Good Art

The Coronavirus Touches the Brush of the Patua Painter of Kalighat