Thin Red Line for Russian Artists and Stop-Gap Policy for Museums

Kiran Nadar on Her Art Collection and KNMA

Form Follows Function: Fourth Cyrus Jhabvala Memorial Lecture

KAVITA NAYAR: An Artist of Personal Communiqué and Musings

The Adventures of Comrade Sergei in the Land of the Capitalists

artamour: Celebrating a Century of Posts

Visual Language: Can An Artist Create Their Own Language?

Art of Response: Performance, in the Public, on the Street

Art of Response: On Canvas, Paper, Screen

Artist’s Persona: Real v. Virtual

Raza: Not just the second-most expensive Indian painter

देश के दूसरे सबसे महंगे चित्रकार रज़ा थे

Amrita Sher-Gil and VS Gaitonde take India art auction prices over $5 million

Rethinking Art Education

Society and the Visual Arts

JM Subramani (1949-2021): Resonance of Rustic Origins

Art and the Pandemic: Some Reflections

Art and Life: Creative Interventions

Krishen Khanna's London show blocked by Covid so he's painting in a video

Future Journeys of Art: And Imaginary Journeys

Kissing a History of Death and Devastation

The “Art World” is an Exclusive Club and It Needs to be Disrupted

Mise en scene: Beyond meaning and mechanics, a metaphysical expression

Indian artists focus on the drama of the Last Supper

THE CASE OF NFT and what it means for the art community

Isabelle Huppert – Exploring the Darker Side

The Dotted World of the Bhils

Beautification and Mural Making are Two Different Things: Trespassers and Their Public Art

Part Two: Common Ground – The Art of Antony Gormley

Part One: Common Ground – The Art of Antony Gormley

On the Art of Reception

Warli and Saura: Distant cousins who perhaps never met

The Broken Person Paradigm

Musings on the Online Art Space

Recognizing Good Art

The Coronavirus Touches the Brush of the Patua Painter of Kalighat

Sense and Sensitivity of Contemporary Art: Part Three

Sense and Sensitivity of Contemporary Art: Part Two

Sense and Sensitivity of Contemporary Art