Aakshat Sinha reviews the forthcoming show 'The Darkness and the Star' featuring the works of Waswo X Waswo and his team of collaborative artists. The show is presented in conjunction with Gallery Espace and will be held between 4 and 14 December 2025 at Bikaner House, New Delhi.

Ranjan Kaul critically reviews Gautam Bhatia's show "All the Beauty in the World" held in October 2025 at Bikaner House, New Delhi. Presented by WEFT Foundation, the exhibition featured 20 art objects created by fusing together everyday objects.

What unites these regions is not uniform style but a shared urgency to institutionalize impermanence. The transition from spontaneous street art to sustained arts infrastructure marks a profound shift in the politics of cultural production across the Global South. The Fearless Art Foundation, through initiatives like Art of Liberation, embodies this transition. By bridging grassroots movements with museums, archives, and pedagogy, it reframes protest as a long-term, interg

. . . there could not be a better moment to introduce art lovers to Indian contemporary art. The Russian audience and the key players in the art market are accustomed to the fair’s diverse and high-caliber offerings from various countries. But in the context of current sanctions and the extent of art market isolation, the audience is clearly more than open and hungry for new artistic explorations.

Ranjan Kaul writes a critical note on Harmandeep Keerti's ongoing solo exhibition, "Begumpura: Shoots and leaves" at Triveni gallery, Triveni Kala Sangam, New Delhi.

Poet performance storyteller, and maker of masks, Tansy Troy uses as reference woodcuts of Thomas Bewick, published as "Bewick's Birds", and Ranjan Kaul's series of paintings inspired by Shelley's allegorical, protest poem, "Masque of Anarchy" to speak about our turbulent times and the need to appreciate the interdependence between all life forms. She revisits Shelley and his poetry, starting from his earliest childhood to understand the influences and sensations that shaped

Ranjan Kaul review's Salvador Dali's show at India Habitat Centre, featuring 200 original works. The show is curated by Christine Argillet.

Georgina Maddox reviews the ongoing immersive solo show byJayasri Buman's solo at Gallery Art Alive that celebrates female energy.

Ranjan Kaul reviews the ongoing "The Art of India" exhibition at the India Habitat Centre, New Delhi. The show is curated by Dr Alka Pande.

Ranjan Kaul reviews the ongoing group show of art books by 40 artists titled "Dark Matter" curated by Nadezja Voinova at the ONKAF gallery.

Catalogue essay by Ranjan Kaul for the group show, "Transcendent Continuum . . . " held at Visual Arts Gallery, IHC, 13 to 17 November 2024.

Elena Rubinova reviews the solo show of Elena Filaretova recently held at the Moscow Museum of Modern Art, curated by Boris Bernaskoni.

Preview of Dr Sushma Mahajan's solo show, "This Beautiful World", featuring 40 watercolour works at the Visual Arts Gallery from 2 to 5 Aug.

Aakshat Sinha previews "Set Adrift on Memory Bliss", curated by Myna Mukherjee, featuring seven artists in encounter with artist SK Sahni.

Georgina Maddox reviews the performance art festival "Between Cloud and Rain", focussing on climate change, gender inequality and war.

Tansy reviews Sophia Naz's amazing poetry book, "Bark of Archiplelago", with accompanying illustrations and photographs by the poet herself.

Tansy Troy reviews "Be Yourself" at Ishara's Puppet Festival held at IHC depicting Dadi Pudmjee's new vision of the "The Ugly Duckling".

Tansy Troy reviews the show 'Parallel Cities' at Italian Cultural Centre, New Delhi, that echoes Calvino's novel 'Invisible Cities'.

Review of the recent show, "Timeless Strokes: The Masters" at Galleria VSB, curated by Vandana Bhargava, featuring rare and unseen works.

Georgina Maddox reviews the upcoming show by Jaya Baheti, where the artist uses captivating forms and figures against abstract backdrops.