Vimal Kumar remembers SH Raza's contribution to India in his birth centenary year. (Translated from the original Hindi by Aakshat Sinha.)

विमल कुमार ने रजा के शताब्दी वर्ष में भारतीय कला में कलाकार एसएच रजा के योगदान को किया याद

John Elliott writes about the recent sensational auction sales of Amrita Sher-Gil's and VS Gaitonde's works by Saffronart.

Ranjan Kaul examines some critical issues related to art education in India and what needs to change.

Ranjan Kaul discusses the reasons for the disconnect between society and art and also critiques of the NEP 2020 in regard to art education.

Alka Chadha Harpalani writes about the late artist JM Subramani and his rich legacy with reminiscences of others who knew him closely.

Striking an optimistic note, Ranjan Kaul sees the likelihood of better art emerging during and after the Covid-19 pandemic.

Using the film “The Father” as a referential Shujaat Mirza dwells on how art can intervene creatively and enhance our understanding of life.

John Elliot writes on Krishen Khanna's current work on bandwallahs during the Covid pandemic with accompanying visuals working in his home.

Johny ML discusses the journeys of some select works of art that travel like “an abandoned stone”.

Ranjan Kaul takes an insightful journey into the past to look at how artists have responded to pandemics and pestilence over the centuries.

V. Divakar, in conversation with Santanu Borah, speaks about the "exclusive artists" who have hijacked the real art that happens in India.

Sharad Raj discusses mise en scene (the setting and every other element) in cinema and its role in giving the film maker a distinct voice.

John Elliott writes on the Saffronart exhibition on the Last Supper and interviews Krishen Khanna on his focus on the role of Judas.

Aakshat Sinha sheds light on NFT (Non-Fungible Token) with specific focus on the art world and dispels some prevailing myths surrounding it.

Vandana Kumar writes about the celebrated French actress Isabelle Huppert and her penchant for playing morally ambiguous characters.

Shantala Palat writes about the art of the Bhil tribe with their distinctive dotted style and its rich heritage, culture and history.

Johny ML writes about 'Trespassers', a group of 10 graffiti artists who have been doing mural projects in the villages and towns of Kerala.

Ranjan Kaul reflects on the work of Antony Gormley while presenting the insights given by the artist in his webinar talk organized by KNMA.

Ranjan Kaul reflects on the work of Antony Gormley while presenting the insights given by the artist in his webinar talk organized by KNMA.