Complete text of the lecture by Israeli architect Ada Karmi-Melamede delivered as the fourth in The Cyrus Jhabvala Memorial Lecture series.

Alka Chaddha Harpalani writes about Kavita Nayar, her sublime creations and how she reconciles the loss of her daughter through her art.

Monish K. Das writes about the Soviet film-maker, Sergei Eisenstein, and his curious encounters with Hollywood studios and personalities.

The Founding Partners of artamour discuss their journey and the objectives of the blog, as they celebrate the milestone of 100 posts.

Sandeep Biswas writes an insightful and thought-provoking essay that dwells on the uniqueness of an artist's visual language.

In the concluding part of his essay on how artists have responded to socio-political events, Ranjan Kaul discusses art in public spaces.

In Part 1 of a two-part essay, Ranjan Kaul explores the works of select Indian artists who have responded to recent socio-political events.

Georgina Maddox and Aakshat SInha write on Artist's Persona: Real vs Virtual based on their personal insights and a discussion on ClubHouse.

Vimal Kumar remembers SH Raza's contribution to India in his birth centenary year. (Translated from the original Hindi by Aakshat Sinha.)

विमल कुमार ने रजा के शताब्दी वर्ष में भारतीय कला में कलाकार एसएच रजा के योगदान को किया याद

John Elliott writes about the recent sensational auction sales of Amrita Sher-Gil's and VS Gaitonde's works by Saffronart.

Ranjan Kaul examines some critical issues related to art education in India and what needs to change.

Ranjan Kaul discusses the reasons for the disconnect between society and art and also critiques of the NEP 2020 in regard to art education.

Alka Chadha Harpalani writes about the late artist JM Subramani and his rich legacy with reminiscences of others who knew him closely.

Striking an optimistic note, Ranjan Kaul sees the likelihood of better art emerging during and after the Covid-19 pandemic.

Using the film “The Father” as a referential Shujaat Mirza dwells on how art can intervene creatively and enhance our understanding of life.

John Elliot writes on Krishen Khanna's current work on bandwallahs during the Covid pandemic with accompanying visuals working in his home.

Johny ML discusses the journeys of some select works of art that travel like “an abandoned stone”.