Poet performance storyteller, and maker of masks, Tansy Troy uses as reference woodcuts of Thomas Bewick, published as "Bewick's Birds", and Ranjan Kaul's series of paintings inspired by Shelley's allegorical, protest poem, "Masque of Anarchy" to speak about our turbulent times and the need to appreciate the interdependence between all life forms. She revisits Shelley and his poetry, starting from his earliest childhood to understand the influences and sensations that shaped

Catalogue essay by Ranjan Kaul for the group show, "Transcendent Continuum . . . " held at Visual Arts Gallery, IHC, 13 to 17 November 2024.

Murtaza Ali Khan reviews "The Girl with the Needle", a film based on the story of Danish serial killer, Dagmar Overbye, in post-WW1 Denmark.

Elena Rubinova examines the various problems concerning the preservation, protection and ownership of street art and the possible solutions.

Anodo discusses his unease with how AI is shaping up, the impact of AI on the future or art, and the related ethicalities and legalities.

Elena Rubinova writes of internal and external censorship, as Russophobia, sanctions and a "cancel culture" sweep the Russian art scene.

Ms Kiran Nadar, Chairperson of KNMA, talks of her art collection, KNMA and its future plans, and her passion for bridge.

Complete text of the lecture by Israeli architect Ada Karmi-Melamede delivered as the fourth in The Cyrus Jhabvala Memorial Lecture series.

Alka Chaddha Harpalani writes about Kavita Nayar, her sublime creations and how she reconciles the loss of her daughter through her art.

Monish K. Das writes about the Soviet film-maker, Sergei Eisenstein, and his curious encounters with Hollywood studios and personalities.

The Founding Partners of artamour discuss their journey and the objectives of the blog, as they celebrate the milestone of 100 posts.

Sandeep Biswas writes an insightful and thought-provoking essay that dwells on the uniqueness of an artist's visual language.

In the concluding part of his essay on how artists have responded to socio-political events, Ranjan Kaul discusses art in public spaces.

In Part 1 of a two-part essay, Ranjan Kaul explores the works of select Indian artists who have responded to recent socio-political events.

Georgina Maddox and Aakshat SInha write on Artist's Persona: Real vs Virtual based on their personal insights and a discussion on ClubHouse.

Vimal Kumar remembers SH Raza's contribution to India in his birth centenary year. (Translated from the original Hindi by Aakshat Sinha.)

विमल कुमार ने रजा के शताब्दी वर्ष में भारतीय कला में कलाकार एसएच रजा के योगदान को किया याद

John Elliott writes about the recent sensational auction sales of Amrita Sher-Gil's and VS Gaitonde's works by Saffronart.

Ranjan Kaul examines some critical issues related to art education in India and what needs to change.

Ranjan Kaul discusses the reasons for the disconnect between society and art and also critiques of the NEP 2020 in regard to art education.