Ranjan Kaul reviews the ongoing group exhibition, "Circle of Life" at Art Centrix Space, New Delhi, curated by Alnoor Mitha.

Georgina Maddox exchanges ideas with Megha Joshi on her solo show "Rites of Passage", which brings us to the edge of faith and image-making.

Talented artist Prem Chander (Gatta Artist) responds to the artamour questionnaire and describes his art journey, thinking and process.

Georgina Maddox reviews the group show by women artists at Meghalayan Age that explores the nuances of birth, motherhood and matriliny.

Georgina Maddox writes about second edition of the International Julius Baer Next Generation Art Prize which is now open to Indian artists.

Georgina Maddox reviews the show, "Journeys of Clay and Fire" at the British Council, New Delhi, that looks at ceramic art in newer ways,

Ranjan Kaul reviews an enthralling exhibition titled "Women and Deities" held in the Bihar Museum on the occasion of its Foundation Day.

Elena Rubinova speaks with Russian philanthropist and collector, Sarah Vinitz, against the backdrop of a new art project by Elena Kovylina.

Georgina Maddox reviews Jehangir Asgar Jani's enigmatic solo show of watercolours titled "Pareidolia: songs of (dis)belief" at Latitude 28.

Review of "Riyaz", an eclectic and inclusive show curated by Ina Puri and hosted by Iram Art Gallery, at Bikaner House, New Delhi.

Riya Raj reviews the recent group exhibition held at Dhi Artspace gallery titled "Crafting the Croosroad" curated by Somedutta Mallik.

Georgina Maddox reviews Anupam Roy's solo show 'Broken Cogs in the Machine' at Vadehra Art Gallery that speaks of our wounded democracy.

Georgina Maddox reviews the ongoing group exhibition, "Molecules", at Gallery 1000A, New Delhi, curated by Sweety Joshi featuring 5 artists.

Ranjan Kaul reviews Somnath Hore's ongoing retrospective exhibition, "Birth of a White Rose", at Kiran Nadar Museum of Art, Saket, New Delhi

Georgina Maddox reviews Hasnain Soomar's ongoing photography exhibition at Dhoomimal Gallery that conveys a sense of peace and purpose.

Ranjan Kaul reviews Bangladeshi senior artist and educator Rokeya Sultana's ongoing retrospective show at Lalit Kala Akademi, New Delhi.

Elena Rubinova writes of internal and external censorship, as Russophobia, sanctions and a "cancel culture" sweep the Russian art scene.

Jai Tripathi reviews in Hindi Dr Zoya Zaidi's painting exhibition combining Urdu ghazal and calligraphy (English translation also given).

Aakshat Sinha reviews the film "Taking the Horse to Eat Jalebi" that depicts the real lives and dreams of the subaltern living in Old Delhi.

Ranjan Kaul reviews the ongoing group show "An Unlocated Window of Myself" curated by Premjish Achari at Gallery Dotwalk, Gurugram.