Senior artist and art writer, Amitabh Sengupta, shares his journey and explorations in art and talks about flaws in Indian art education.

Using the film “The Father” as a referential Shujaat Mirza dwells on how art can intervene creatively and enhance our understanding of life.

John Elliot writes on Krishen Khanna's current work on bandwallahs during the Covid pandemic with accompanying visuals working in his home.

Sri Lankan artist Sarath Perera talks about his search of freedom through abstract expression in his art, drawing from nature and music.

Johny ML discusses the journeys of some select works of art that travel like “an abandoned stone”.

Satadru Sovan Banduri discusses his art and how he uses light and his body to dwell on ideas of desire, fantasy, body, mind and justice.

Ranjan Kaul takes an insightful journey into the past to look at how artists have responded to pandemics and pestilence over the centuries.

Alka Chadha Harpalani reviews Sponte Sua (one's own impulse), a recent virtual exhibition coordinated by Argentinian artist Claudia Garcia.

Artist, curator and art academic Rajan Shripad Fulari tells us how his quest is an ongoing process and how his works reflect this thought.

Senior artist Jyotika Sehgal talks about her art journey and her work including her series on Ghalib and the Jap Ji Prayer by Guru Nanak Ji.

V. Divakar, in conversation with Santanu Borah, speaks about the "exclusive artists" who have hijacked the real art that happens in India.

Sharad Raj discusses mise en scene (the setting and every other element) in cinema and its role in giving the film maker a distinct voice.

Responding to the artamour questionnaire, Vandana Kumari discusses her socio-political art that gives an insight into the human psyche.

John Elliott writes on the Saffronart exhibition on the Last Supper and interviews Krishen Khanna on his focus on the role of Judas.

Award-winning artist Ramchandra Pokale responds to the artamour questionnaire in Hindi. (The English translation is given above each answer)

Muralist, sculptor, mask-maker, children's book author and illustrator Carolyn Watson-Dubisch responds to the artamour questionnaire.

English translation of Jyoti Tyagi's review of "Nest", a group show curated by Prayag Shukla and Tunty Chauhan at Threshold art gallery.

ज्योति त्यागी द्वारा थ्रेसहोल्ड आर्ट गैलरी में प्रयाग शुक्ला और टंटी चौहान द्वारा क्यूरेट की गई एक समूह प्रदर्शनी, "नेस्ट" की समीक्षा

Multifaceted artist and writer Rumana Husain responds to the artamour questionnaire and discusses her dedication to children's creativity .

Aakshat Sinha reviews "What to do with difference", an ongoing group exhibition organized by Art for Change Foundation at IIC, New Delhi.

Aakshat Sinha sheds light on NFT (Non-Fungible Token) with specific focus on the art world and dispels some prevailing myths surrounding it.

Shantala Palat reviews "PRATIBIMB" Stories in Print featuring 13 women artists on display at Gallery 1000A curated by Rajan Shripad Fulari.

Internationally acclaimed Filipino artist Joe Datuin, widely recognized for his metal sculptures, responds to the artamour questionnaire.

Russian artist Victoria Lomasko talks about her practice that explores contemporary Russian and Belarusian society using graphic reportage.