Interview of artist Niyamat Mehta, who specializes in sculpture, drawing from the interplay between consumerism and artistic expression.

Elena Rubinova reviews the solo show of Elena Filaretova recently held at the Moscow Museum of Modern Art, curated by Boris Bernaskoni.

Preview of Dr Sushma Mahajan's solo show, "This Beautiful World", featuring 40 watercolour works at the Visual Arts Gallery from 2 to 5 Aug.

Responding to the artamour questionnaire, Amit Slathia talks about his exploration of nature, shifting demographics, and human experiences.

Aakshat Sinha previews "Set Adrift on Memory Bliss", curated by Myna Mukherjee, featuring seven artists in encounter with artist SK Sahni.

Georgina Maddox reviews the performance art festival "Between Cloud and Rain", focussing on climate change, gender inequality and war.

Elena Rubinova examines the various problems concerning the preservation, protection and ownership of street art and the possible solutions.

Georgina Maddox interviews artist Shana Sood, who potrays the complexity of the Indian woman from the perspective of an Indian diaspora.

Tansy reviews Sophia Naz's amazing poetry book, "Bark of Archiplelago", with accompanying illustrations and photographs by the poet herself.

Tansy Troy reviews "Be Yourself" at Ishara's Puppet Festival held at IHC depicting Dadi Pudmjee's new vision of the "The Ugly Duckling".

Tansy Troy reviews the show 'Parallel Cities' at Italian Cultural Centre, New Delhi, that echoes Calvino's novel 'Invisible Cities'.

Review of the recent show, "Timeless Strokes: The Masters" at Galleria VSB, curated by Vandana Bhargava, featuring rare and unseen works.

Visual artist Simran Lamba talks about his wide-ranging work using varied materials such as tar and allied media for artistic exploration.

Georgina Maddox reviews the upcoming show by Jaya Baheti, where the artist uses captivating forms and figures against abstract backdrops.

Georgina Maddox reviews Pratul Dash's new show that looks philosophically at land and its elements through the prism of personal memory.

Georgina Maddox reviews Sonika Agarwal's solo show "Radiance of Cosmic Consciousness" on display at Artrise Auctions (powered by Dhoomimal).

Sudhi Seshadri reviews the centenary exhibition of T.S. Satyan, the pioneer of Indian photojournalism, currently on at MAP Bengaluru.

Ranjan Kaul reviews Olivier Deprez's cine-etched animated film "Après la mort, après la vie" made in collaboration with Adolpho Avril.

Suman Chandra, an artist who finds the materiality, dangers and risks of coal mines an inspiration, responds to the artamour questionnaire.

Elena Rubinova writes from Moscow about a new private museum dedicated to the Soviet nonconformist art movement that opened recently.

Ranjan Kaul reviews the recent exhibition, "Of Divergent Practices", showcasing Indian printmakers, held at Dhoomimal Gallery, New Delhi.

Ranjan Kaul reviews the parallel shows, "Dhalav" by Niroj Satpathy and "The Place called the Body" by Aditya Puthur at Anant Art, Noida.

Anodo discusses his unease with how AI is shaping up, the impact of AI on the future or art, and the related ethicalities and legalities.

Saswati Chaudhuri responds to the artamour questionnaire and talks of her struggles and her style and processes using various media.