Georgina Maddox lands in Raipur to write about the cultural diversity displayed at the National Tribal Dance Festival and Rajyotsava 2021.

Aakshat Sinha reviews self-taught artist, Dr Prithipal Singh's first solo show, 'Soulscapes', that provides a healing touch.

Georgina Maddox reviews the ongoing exhibition of 26 young artists titled "26 Under 25" at Sangeet Shyamala"s Surrendra Paul Art Gallery.

Mulitdisciplinary artist Dimple Shah talks about her art and her socio-political concerns which she reflects in physical and visual language

Artist Geetha talks about her journey and her art using oil on canvas to mixed media to wood textures to gunny rag threads and impressions.

Georgina Maddox previews the solo show of Avani Bakaya, her journey and exploration during the pandemic and her free, gravity-defying work.

Alka Chaddha Harpalani writes about Kavita Nayar, her sublime creations and how she reconciles the loss of her daughter through her art.

Georgina Maddox reviews 'Transit', a group exhibition on the idea of migration as lived reality, hosted by Apre Art House at Bikaner House.

Internationally renowned, pictorial calligrapher, Qamar Dagar, talks about her fascinating journey as an artist and her unique art form.

Ranjan Kaul reviews “Liminal Worlds”, the ongoing, enchanting two-woman show of Sunanda Khajuria and Gouri Vemula at Art Heritage, New Delhi

Read about Niku Guleria, for whom art is a kind of multi-hued activism in relation to her methods, palette, and placement of elements.

Georgina Maddox previews the solo show by Harshit Agrawal (hosted by Emami Arts) that uses AI to reflect on deep-rooted social inequalities

The Founding Partners of artamour discuss their journey and the objectives of the blog, as they celebrate the milestone of 100 posts.

Ajay Sharma discusses candidly his art journey and his art drawn from current, socio-political and environmental issues and concerns.

Aakshat Sinha reviews Reduction, a show of lyrical vibrations cast on canvas by Mumbai-based artist, Rahul Inamdar, at Gallery Threshold,

Sandeep Biswas writes an insightful and thought-provoking essay that dwells on the uniqueness of an artist's visual language.

Narayan Mandal speaks about the silent, abstract expression in his art which reflects grief, pain and the dreariness of daily living.

In the concluding part of his essay on how artists have responded to socio-political events, Ranjan Kaul discusses art in public spaces.

Aakshat SInha reviews DAG's 'The Hindus: Baltazard Solvyns in Bengal', show of 288 prints curated by Giles Tillotson.

Aakshat SInha reviews 'Pages from my diary . . . ' a show of the 1960-70s colourful works by Maite Delteil , exhibited at Art Alive Gallery.