Ranjan Kaul reviews a show at Vadehra Art Gallery of nine women artists with diverse backgrounds who explore notions of life and identity.

Aakshat Sinha reviews the amazing works of Anjaneyulu G who uses hyper-realism to depict objects of a forgotten era displayed at Art Alive.

Ranjan Kaul reviews the winning entries of the 2020 Stenin Photo Contest which significantly included the works of six Indian photographers.

Renowned Indian artist Santosh K Verma's candid response to the artamour questionnaire in Hindi together with its English translation.

Rekha Bajpe Aggarwal talks about her love affair with ceramic art and her recurring theme of Shakti depicted with use of buttons and masks.

Senior artist Durga Kainthola discusses her art journey and oeuvre across multiple disciplines in the visual arts.

Aakshat Sinha reviews Kanchan Chander's online show featured by Art Heritage that showcases her journey of exploration of the female form.

Johny ML writes about 'Trespassers', a group of 10 graffiti artists who have been doing mural projects in the villages and towns of Kerala.

Shujaat Mriza reviews the annual of exhibition of the School of Fine Arts, MSU, Baroda, that focussed on experimental and process-based art.

Photographer Vipin Baloni focusses on the theme of silence as he responds to the artamour questionnaire.

Ranjan Kaul reflects on the work of Antony Gormley while presenting the insights given by the artist in his webinar talk organized by KNMA.

Ranjan Kaul reflects on the work of Antony Gormley while presenting the insights given by the artist in his webinar talk organized by KNMA.

Senior Indian artist, SK Sahni responds to the artamour questionnaire and reveals his fascination with lines that occupy his canvas space.

Harshil Patel's work exists in a space between tradition and abstraction. His exhibition, Transposing Myths is reviewed by Shujaat Mirza.

Olga Bozhko uses knitting and burnt wood for creating political art with common objects. Here's her response to the artamour questionnaire.

Abhimanyu Kumar dwells upon the problem of art and its reception by the Public.

Shujaat Mirza reviews the the ongoing exhibition “Abstract” by artist Ajay Chaudhury at the Hutheesing Visual Art Centre, Ahmedabad.

Ankon Mitra, the Oritecture artist, responds to the artamour questionnaire and reveals the tales within the folds.

Shantala Palat chooses Warli and Saura from India's folk and tribal art forms for the first part of her series on Folk and Tribal art.

P Achari makes case for a more radical form of criticality in art that moves away from affable eulogies and rejects cultural homogenization.