Harshil Patel's work exists in a space between tradition and abstraction. His exhibition, Transposing Myths is reviewed by Shujaat Mirza.

Olga Bozhko uses knitting and burnt wood for creating political art with common objects. Here's her response to the artamour questionnaire.

Abhimanyu Kumar dwells upon the problem of art and its reception by the Public.

Shujaat Mirza reviews the the ongoing exhibition “Abstract” by artist Ajay Chaudhury at the Hutheesing Visual Art Centre, Ahmedabad.

Ankon Mitra, the Oritecture artist, responds to the artamour questionnaire and reveals the tales within the folds.

Review of The Life Ahead, 2020 (La vita davanti a sé) starring Sophia Loren, who returns to the silver screen after a decade-long hiatus.

Shantala Palat chooses Warli and Saura from India's folk and tribal art forms for the first part of her series on Folk and Tribal art.

Maria Arendt, well-known Russian artist responds to the artamour questionnaire about her multidisciplinary art, including embroidery as main

P Achari makes case for a more radical form of criticality in art that moves away from affable eulogies and rejects cultural homogenization.

Senior Indian artist Prem Singh responds to the artamour questionnaire

Shujaat Mirza writes on the current Online art space and how Covid has made the online space more relevant today and what lies ahead.